Rulton Fyder

New York City, July 16, 2021 Anonymous artist and NFT collector Rulton Fyder went on Noah Becker's Whitehot Magazine Podcast for the second time on Thursday night to discuss his recent family and health issues, some of his upcoming art projects as well as his EROTICA token project. Below are some takeaways from the interview: Many people in our world [...]they tend to ignore what's happening at the grassroot of technology and art. That's what's happened. Like the ivory tower approach we used to have, and right now it's flipped upside down. All because of what? All because of social media. Where anonymous people can band together to work on projects. Where people from all over the place can believe in an art project and carry us through the hard times and make it successful. At first, the disruption may seem crazy. But let history be the judge Noah. Always history will be the judge. Because later along the way there will be art historians trying to wrap this all together. Because our art, art is a reflection of our society. Like the NFT does not happen over night. It happened because we are all too connected. And than the shift of art from this New York centric will not happen over night because everyone can make an instagram account and be an art critic and have the same power of a New York art critic. I think we are at the cross of this technological innovation as well as the art innovation. And I highly suggest anyone from the art world that feel confused or feel angered by NFT or anything. Dig into history books. Read about impressionist and read about any significant art movement and see the hatreds, see the confusion of people back than towards anything new. And than make your own correlations or make your own judgements.

The chic, Upper Bavarian town is also home to the PULPO GALLERY, which is hosting the exhibition "Capturing the current Zeitgeist - Rulton Fyder in dialogue with conceptual art contemporaries" until Sunday, June 27.

Rarible, a digital collectibles marketplace, has censored its highest grossing artist Rulton Fyder in a very controversial move on March 13. By removing his verification badge, his artist page and artworks are no longer searchable on the platform. To date, Rarible has not provided any explanation for the move. NFTs have been the talk of town, culminating in Beeple's "Everydays: The First 5000 Days" selling for $ 69.346.250 in an online auction at Christie's last week. Yet, most artwork commentators will be quick to point out that the collectibles for sale at marketplaces like Rarible mostly consist of animated cartoons, memes, frogs or even caricatures of Elon Musk.

An interview of Rulton Fyder conducted on Mar 13, 2021, by Emily Cobel, for the Archives of NFT ArtForum. This interview is part of the...

Sarah Osei reports on Rulton Fyder's purchase of Azealia Banks audio tape NFT, which he recontextualized by tweeting "SexTapesAreArtworks" which in turn was put up for sale as an NFT on the blockchain.

Entertainment and popular culture magazine UPROXX discusses Rulton Fyder's acquisition of Azealia Banks' NSFW NFT which he promptly turned into the most expensive NFT ever.

Progressive music site Okayplayer reported on Rulton Fyder's acquisition of Azealia Banks latest NFT which gives him "full rights of ownership, distribution, and display, as well as a signed vinyl LP".

Wren Graves reports on Rulton Fyder's $ 18.000 acquisition of Azealia Banks audio NFT for Consequence of Sound: "Now, that 24 minutes and 22 seconds of light cardio belongs to Bond villain user Rulton Fyder, who has the right to do anything they want with it"

INPUT MAG reports that Azealia Banks - a controversial rapper - and her boyfriend Ryder Ripps - an artist himself - have sold a 24 minute long audio recording on the NFT marketplace Foundation to conceptual artist Rulton Fyder.

TheArtGorgeous discuss the phenomenon of NFTs and highlights their most critical benefits to the art industry: history of provenance, proof of authenticity, artist resale rights and ease of transfer:

NFT Art Review's March 4th issue discusses Rulton Fyder and the "ReArt" Movement: "Fyder’s works have a sense of familiarity and closeness to contemporary art audiences due to the fact that they initially look as if appropriated from known significant works in the contemporary art world. However, if one takes a closer look, one will realize that the work concept is completely different, the artist has added new conceptual layers and imageries in the NFT realm to create completely new works that document and archive our current society and times while having the artist’s self-inquisitive journey in the rapidly advancing digital age, characterized by the endless circulation, reshuffling, remixing and exchanging of ideas."