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stephanie mei huang: how to hobble a young horse

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stephanie mei huang: how to hobble a young horse
Murnau, Jul 16 - Aug 28, 2022

stephanie mei huang: how to hobble a young horse

Past exhibition
  • Overview
  • Works
  • Installation Views
  • Publications
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IMPRINT // Pulpo Gallery Gmbh // CEO: Katherina Zeifang, Nico Zeifang // Obermarkt 51, 82418 Murnau am Staffelsee, Germany // info@pulpogallery.com // USt-ID: DE335292669 // Trade register: Amtsgericht München, Abt. B, Nr. 260209

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Open a larger version of the following image in a popup: stephanie mei huang, how to paint a rocking horse, 2020
Open a larger version of the following image in a popup: stephanie mei huang, how to paint a rocking horse, 2020

stephanie mei huang

how to paint a rocking horse, 2020
Vhs-c converted to digital, sound, windshield wiper motor, 12v power supply
11:26min.
Edition of 7 plus AC (3 editions)
Copyright The Artist
Enquire
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Further images

  • (View a larger image of thumbnail 1 ), currently selected., currently selected., currently selected. stephanie mei huang, how to paint a rocking horse, 2020
  • (View a larger image of thumbnail 2 ) stephanie mei huang, how to paint a rocking horse, 2020
In the early months of the Covid-19 pandemic, huang made the video “how to paint a rocking horse” in their kitchen while isolating at home. Amidst the terrorizing climate of...
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In the early months of the Covid-19 pandemic, huang made the video “how to paint a rocking horse” in their kitchen while isolating at home. Amidst the terrorizing climate of anti-Asian, particularly anti-Chinese, rhetoric in the United States that was heightened by the racist mythologies around the origins of Covid-19, huang stays in to deliver a lecture and paint a rocking horse. In this performative lecture, huang plays themself: an artist stuck at home, missing their family, and devastated by the news, forced isolation, and travel restrictions separating them from loved ones. They deliver a lecture as they would in a room full of people. huang reads aloud from their computer screen, projects their voice for an audience, pauses for effect, and appears physically impacted by the deeply personal narrative they share. - Sonya Merutka
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