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Open a larger version of the following image in a popup: GOIN, Hell From The Shell, 2020
Open a larger version of the following image in a popup: GOIN, Hell From The Shell, 2020
Open a larger version of the following image in a popup: GOIN, Hell From The Shell, 2020
Open a larger version of the following image in a popup: GOIN, Hell From The Shell, 2020
Open a larger version of the following image in a popup: GOIN, Hell From The Shell, 2020

GOIN

Hell From The Shell, 2020
Spray Paint on Canvas
63 x 47 1/4 x 2 in
160 x 120 x 5 cm
Copyright GOIN
Anfrage
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Weitere Abbildungen

  • (View a larger image of thumbnail 1 ) GOIN, Hell From The Shell, 2020
  • (View a larger image of thumbnail 2 ) GOIN, Hell From The Shell, 2020
  • (View a larger image of thumbnail 3 ) GOIN, Hell From The Shell, 2020
  • (View a larger image of thumbnail 4 ) GOIN, Hell From The Shell, 2020
  • (View a larger image of thumbnail 5 ) GOIN, Hell From The Shell, 2020
  • Hell From The Shell
Two elements of this work are clearly recognizable: the Shell-logo and a detailed Botticelli Venus. We may be dealing with a subtle irony and probably with a political-critical confrontation. The...
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Two elements of this work are clearly recognizable: the Shell-logo and a detailed Botticelli Venus. We may be dealing with a subtle irony and probably with a political-critical confrontation. The Shell-logo refers to the petroleum industry, while the black and gray figure, which has been taken out of its original context, creates a certain interaction between irony and criticism: she is innocent and ashamed, but she stands in a black puddle of oil like a goddess full of self-confidence. What she once embodied is completely lost in this work: from a goddess who was born purely from the foam of the sea, a figure stained with petroleum, who looks conflictingly to the viewer is presented to us. The fact that only the logo was colored should also be understood as an invitation to a skillful discussion on fracking and environment. Goin creates an extremely elaborate and balanced composition that was created using aerosols, and he encourages the question: Is this Venus a new allegory of a goddess created from a mixture of petroleum, power and destruction? - by Cezara-Maria Casian
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