Infinity XXXI is part of the series INFINITY and shows a hallway in a cloister in Kyoto/Japan leading the spectator into infinity.

Inspired by various well-known "Light & Sound" artists, the works confirm the attempt to translate this topic into an image using purely photographic means. The central focus of the images is the theme of infinity, captured in a variety of ways, taking into account his characteristic color design using the CMPB technique he developed. "Infinity" comes from the Latin word "infinitas" and describes an object or operation without end or end, but possibly with beginning or beginning. Most works of light art require the extensive absence of natural light and competing for artificial light sources to develop their full effectiveness. In contrast, however, the artist incorporates natural light into his composition. He tries to make light as a natural medium sensual and spiritually tangible. With his motif design, he gives the moment duration. He emphasizes that his art can be described as the "art of perception". In large-format, atmospheric images, infinity is seemingly materialized and the viewer is led into boundaries of perception. As a matter of course, the gaze also turns inward, opens up the possibility of self-perception and self-reflection, to the meditative observation of one's own vision.