View works. Brett De Palma, Eye of the Drummer, 2016
Brett De Palma, Eye of the Drummer, 2016
View works

Publications

  • New York Magazine .com, Bedford + Bowery, “Dreaming on the Bowery: Post-Apocalyptic Painting”, by Cassidy Dawn Graves, November, 13, 2017 - https://talkingpicturesblog.com/2017/12/19/ brett-de-palma-and-newton’s-laws-of-motion/ review by Cathy Quinlan
  • New York Times, Arts and Entertainment, " Piecing Things Together," October 19, 2008
  • Roll Magazine, Abby Luby, "Collage Logic," Ann Street Gallery, October, 2008
  • Nashville Tennessean, Nashville, TN, review, "A Century of Progress, Twentieth Century Painting in Tennessee," September, 2003
  • New York Times, New York, NY, May, 1992, review by Roberta Smith
  • Dialogue Magazine, January, February, 1992 review, "Fort Wayne Museum Show"
  • Palm Beach Post, Lake Worth, FL, "New York Exhibition Inventive, Cheeky," by Gary Schwan, January 1992
  • Publico, Oporto, Portugal, April 30, 1991 review
  • "The Artist's Project," In Publishing, Peter Bellamy, 1991
  • The New Yorker, review by Lisa Liebmann, May 29, 1991
  • Nashville Tennessean, Fine Arts, Richard Schweid, Sunday, September 2, 1990
  • Rockland Review, Thursday, March 22, 1990
  • The Journal News, Arts Magazine, January, 1990, "Don't You Know by Now," Alan Jones, Thursday, June 7, 1990
  • Nashville Business Journal, review by Angela Wibking, March 26-30, 1990
  • The New Yorker, "Goings On About Town," review by Lisa Liebman , May 1, 1989
  • The New York Times, review by Roberta Smith, April 21, 1989
  • Village Voice, "Voice Choices," review by Kim Levin, May 2, 1989
  • Bomb Magazine, issue #25, fall, 1988
  • Flash Art, Issue #140, "About Julian Schnabel, by Lisa Liebmann, May-June, 1988
  • Artforum, review by Donald Kuspit, summer 1988
  • Arts Magazine,, review by Timothy Cohrs, June, 1988
  • Sanska Dagladet, Malmo, Sweden, review by Mona Olsson, April 9, 1988
  • Village Voice, Volume 62, #4, "Opening Salvos," Part One, Dan Cameron, December, 1987
  • "A Collection of Drawings by Four Artists," by Victoria Donohoe, Philadelphia Inquirer, December 11, 1987
  • Paper,"Artist in Residence, 42nd Street," June, 1986
  • Think Tank, ICA Boston , "Talking Think Tank," interview with Robin Winters and David Ross, 1986
  • "Social Icons -- The Will to a Discourse," Mario Diacono, 1986
  • American Art Now, Edward Luie-Smith, 1985
  • Milan Kunc , "Normal Talk," Diego Cortez with Milan Kunc, 1985
  • Arts Magazine, Volume 59, No. 10, review by Ron Warren, summer, 1985
  • The Art Dealers, Laura de Coppet and Allen Jones, 1984
  • Unitiled 4, "The Art World in the Eighties," Roland Hagenberg, 1984
  • Art and Antiques, "Art History 101," John Gnagy, Scott Cohen, September, 1984
  • Art: Das Kunst Magazine, issue #5, "Magnet New York," May, 1984
  • Flash Art, issue #113, review by Susan Hapgood, summer, 1983
  • Brutus Magazine, Art Preview, Tokyo, Japan, 1983
  • Bomb Magazine, issue #4, "Painters and Sculptors," 1982

 

Catalogues

  • Brett De Palma, “Dreaming on the Bowery: Post-Apocalyptic Painting”, Howl!Happening Gallery, New York, NY, texts by: John Yau, “Brett De Palma’s Aesthetic Disobedience”; Carlo McCormick, “Brett De Palma” Edward Sanders, poem “Hiroshima Morn”; Daniel Wolff, “The Slaughter of Innocence”; Lisa Liebmann, edited by Brooks Adams, excerpts from the New Yorker 1989 and 1991
  • Tony Shafrazi, Brett De Palma Biography, for “Champions” exhibition 1983
  • “Return of the Native," Tinney Contemporary Gallery, Nashville, TN, 2011
  • “Tennessee Historic Quarterly, a publication of Tennessee Historical Society, in cooperation with the Tennessee Historical Commission: "A Century of Progress; Twentieth Century Painting in Tennessee," Celia Walker, Senior Curator, Cheekwood Museum of Art
  • "Soul Eye: Eye of the Beholder," Havelda Gallery, Oporto, Portugal, text by Brett DePalma, 1991
  • "Art for Children's Survival," UNICEF, Crown Point Press, Lourence Monk, New York, NY, 1991
  • "A Decade of Printmaking," Echo Press, Indiana University Art Museum, Bloomingotn, IN, 1990
  • Et Museum of Modern Kunst Malmo, Kunsthalle Brandts Klaedefabrik, Malmo, Sweden, 1989
  • Zeitgenoessische Kunst, Galerie Thomas, IM-ALL, Munich, West Germany, 1986
  • "Contemporary American Collage, 1960-1985, University of MA; Herter Gallery; Benton Museum, Ct; Lehigh University, Lehigh, PA; Butler Institute of American Art, Youngstown, OH; Rutgers
  • University, NJ; Cornell University, Ithaca, NY, 1986
  • Sammlung, Thomas A., Art 11 Forum, Thomas, Munich, West Germany, 1986
  • "Inside-Outside Sculpture Show," New York, NY, 1985
  • "Happy-Happy; A Children's Coloring Book," Egret Publications, New York, NY, 1985
  • "Correspondences," New York Art Now Exhibition, Laforet Museum, Harajuko, Tokyo, Tochigi Prefectura, Museum of Fine Arts, Utsunomiya, Japapn, 1985-1986
  • Anniottanta, Bologne, Ravenna, Imola, Rimini, catalogue text by Renato Barilli and Roberto Daolio, 1985
  • Brett De Palma, "Parables of Surplus," Tony Shafrazi Gallery, New York, NY, text by Duncan Smith, 1984
  • Homage a Picasso, Forum, 1984
  • "Champions," Tony Shafrazi Gallery, New York, NY 1982
  • Documenta Catalogue, Documenta 7, West Germany, 1981

 

Brochures

  • "Special Arts Fund for Emergency," Office of Manhattan Borough President, Department of Cultural Affairs, text by Nancy Princinthal, New York, NY
  • "Drawing Suites," Artists' Statement on Art, November 1, 1987, Lawrence Oliver Gallery, Philadelphia, PA
  • Exhibition of Sculpture and Related Drawing, text by Scott Cook, March, 1988, Fawbush Gallery, New York, NY
  • "New York, Nashville," Nashville Metropolitan Arts Commission Gallery, Nashville, TN, April, 1990
  • "The Bronze Show," Willoughby Sharpe Gallery, New York, NY, May, 1991
  • International Kunstmusee, Zurich, Tony Shafrazi Gallery, by Diego Cortez
  • Rassenge Internationale d'Arte, Arireala, Rome, Ferrara, Milan, "La Scuola d'Atene," XVII , Achille Bonito Oliva, 1983-1984
  • Panorama della Post Critica, Critica d'Arte, Pisa, Italy

 

Film / Videos

  • “Basquiat: Rage to Riches”, BBC Documentary, Barbican Gallery, London, by David Shulman, 2017
  • “James Calm Report”, YouTube, Loren Munk, 2017
  • “Gallery Walk-Thru”, on the occasion of “Dreaming on the Bowery: Post-Apocalyptic Painting, Howl!Happening Gallery,2017
  • “Tombstone Unknown”, by Brett DePalma, 2011